Thursday, 2 January 2014

The differences between film producers and film directors- Unit 1

For my first 2 hour block I researched the differences between film Directors and Producers. I think I underestimated the amount I would need to write, hence incredibly small writing even for me. 

After much time spent working with Google I created this map of the information I found.

If I was summaries my findings, the main point is that both jobs are what you make them. They are interacting and fluid roles that frequently overlap. Really these two people need to get on.

To start with I will quickly define both.
A Director
Employed by the Producer to create an artistic and dramatic vision and realize said vision.
A Producer
Finds the story then employs the director, cast and crew to create the story. Generally more concerned in budget and schedule etc. liaises with studio so that director can create vision. After the film is created works with the distribution of the film.
There are often a few different types of producer:
Executive Producer- Takes care of accounting and legal issues (e.g. copyright, royalties). Often contributes to budget and has some artistic control.
Line Producer- Works in human resources and logistics. Oversees all the departments to make sure they are working towards the director. Also work in admin. Often liaise between the crew and the main producer(s)
Unit Production Manager- Also admin. Creates the working budget, selects the key crew, breakdown of shooting scheduled. Looks at location, transport, equipment etc.

Once again there is a lot of overlap here. To simplify things we are going to look at it as if there is one overall producer, as there can be on smaller projects.
Each obviously holds many more roles. Many  of these roles over lap. A Venn diagram may help here.

Producer                                                                                     Director
I didn't include every single job, just the main ones. As you can see, they work very closely. What needs to be remembered is that the producer is the directors boss, and is on the project longer, even though they are often payed less than the director. In fact when trying to finance a film, a producer's name is less likly to attract a studio. The director is really needed to get attention. If you imagine the production like this:

Pre-production                                                                     Producer

Money harnessed                                                                Producer

Director, writer employed                                                    Producer, Director 

More financing                                                                     Producer (Director)

Casting and crew employed                                                 Producer, Director

Filming                                                                                  Director (Producer)

Editing                                                                                   Director (Producer)

Distribution                                                                           Producer

As you may be able to see, the producer is there more, though when the film is actually being realized they are less present. You may notice the brackets. This is because the directors and producers personality really comes into play here. You may have heard of directors who produce their own film, or vica-versa. During filming a producer may or may not be present depending on how much they like to get involved on the creation of the vision. So as to what the roles are, it really depends who is producing and who is directing.

One thing is that the Producer will probably spend a lot more time being a middle man; between the director and the studio, between the star and the director during an argument.  They are managing everyone, whereas the director is only managing the cast and crew in relation to the vision.

A final difference is that the producer, especially if they are independent, have a financial risk. Before the film gets picked up by a studio, they are often putting in their own money to get it noticed. Once the director is hired, they have normally already got some interest, therefore the director is risking less.

Overall, the two roles overlap, but in general the Producer is the overall manager while the director is just creating their vision

So That is my whistle stop tour of Film Direction and Production. Please do say if you notice any mistakes or think I have missed something massive out. I don't claim to be any expert, so it would be most appreciated.

I found finding information on Producers and Directors easier than I thought it would be at first, but then I found that much of the information was repeats, and then consolidating it into something that made sense took 22 minutes longer than I anticipated. I am not sure how reliable my sources were. It was a very interesting search though

Thanks for reading.

Bibliography

Wadjda- Review

Director- Hafaa Al-Mansour
2012

A young girl in Saudi Arabia is desperate to own a bike so she can race her friend despite it being socially unacceptable. When she hears that the Quran recitation contest would win her enough money to buy herself a bike, she becomes dead set on winning.
This was quite a bitter sweet film. You could see that Wadjda was an enterprising young girl with ambitious plans, but even after she had appeared to have got everything you still had the feeling that her whole world would continue to campaign against her.
I thought the characterization was fantastic. Al-Mansour manages to portray very religious characters who fight against Wadjda's dream in a sympathetic human way. There are no complete baddies here. All the characters were well fleshed out, apart from Wadjda's father whose appearances are sporadic. However I feel that the father worked best this way, as it was a film focusing on the separate sphere of women in Saudi Arabia, whereas it is shown that men inhabit a different sphere.
The cinematography and the editing were not particularly note worthy, but they aided the story along nicely. The focus of the film was not the aesthetic anyway, so this was not a problem.
The script was very realistic. It managed to show the story showed through the slightly blurred eyes of a child, so managing to focus on the hope of the bike rather than the heartbreaking elements of segregation, the father leaving and oppression.
Overall this was a lovely film that showed a different side of the world in a universal way.

Action Plan for the Art Challenge- Unit 1

As I am a producer on this short, I decided to look into producers a bit more. I am probably going to try and do this in two hour chunks. These are my notes on what to do.

The Arts Challenge
To get a better idea of what producers do, I am going to research them. First I will look at them in different disciples, Film, Theater and Music. I will then review the top film producers in different places to learn more about how they got to become producers and what they do.
And, after careful consideration this is my time scale:
2 hrs- The differences between a Film director and a Film producer
2 hrs- The differences between a Theater director and a Theater producer
2 hrs- The differences between a Music director and a Music producer
1 hr- Write an evaluation on how the producers in each of those fields are different from each other
2 hrs-Top 10 producers worldwide
2 hrs- Top 10 producers in the UK
2 hrs- Look into 2 further

I hope to carry out this plan over 2 weeks, doing 2 hours for three days over the weeks.
I will record my progress in my notebook, which I will publish pictures of, and by doing blog posts/ mini essays on my findings after each session of research.
I will collect the evidence in my note book and on this blog.
I will review the challenge after each blog post and half way through the research. Also I will review it at the end.
Target
I will have a good overall knowledge of what a producer does  in three different areas as well as the different ways of becoming one in film.

I may or may not get side tracked. If I do I will edit my plan and show you how. After each post about each slot I will say how closely I stuck to this target.
Wish me luck

Frozen- Review

Directors- Chris Buck, Jennifer Lee
2013

A queen find she can't contain her ice powers and accidentally freezes her kingdom. Her sister rushes to help her meeting a group of helpers, while her fiancee runs things back home. Fear of the queen grows in the kingdom as it becomes apparent she cant stop herself, but her sister works to help her out.
I admit me and my friends felt slightly above the intended age group when we filed into the cinema. It was choc a bloc tiny children. It was quite fun watching with them though, as suddenly everything is funny and every plot twist is met with gasps. The applause at the end was cute.
The opening sequence was really beautiful. It seems to set a type of music for the film, which is then never used again which confused me. Instead we turn to pop songs, which personally I am less keen on but the kids seemed to love. The animation was pretty spectacular, but I admit I think it didn't achieve spine tingling images, such as the lanterns all lighting in Tangled. Still pretty impressed though.
The characters were more likable than expected, I had no idea I could warm to what appeared to be an annoying toothy snowman. By the end he reminded me of nothing so much as Sid the Sloth from Ice Age. This is a good thing. Even the trolls didn't annoy me which was surprising.
I was impressed with the story line. It was nice to watch a film for little girls that did not rely on a love story.
Me complaint (there is always one) was that the problem (the big freeze) was resolved very quickly. There was no realization or thought process, just a bit of an 'ah ha!' moment. But apart from that I really enjoyed it.
Its good fun and well worth a look. Stay until the end of the credits if you want to see where the queens tiara went.

First film pass completely used

Lets take a moment to admire the showroom cinema's stamp collection.

Its a Wonderful Life- Review

Director-Frank Capra
1946

George Bailey has consistently given up all of his dearest dreams to help others. However when his loan company is looking like it will go bust as some money has been lost George contemplates suicide, as his insurance would help others so an angel comes to show George what the world would be without him.

I went to the cinema to see this, as it was of those films that I seem to have managed to completely miss quite randomly. I found it interesting how attention is drawn to key characters though the textures of there clothes, such as Mary's dancing dress, over through colours. It is black and white, so I suppose that is to be expected. There were some quite bad edits, such as the scene in which Uncle Billy misplaces the money, but mostly it was fairly stylish. The story dragged at points in the growing up stage, as things seemed to get unnecessarily drawn out. There were the completely expected moral and religious overtones. I was not very impressed with the way George could treat Mary when he realized he loved her and his family when he is stressed, and just be excused. I was surprised by the slightly anti-capitalist themes, but they were welcome in contrast to the human themes.
I suppose I sound a bit underwhelmed, and that's because I am. People often say that this is a timeless classic that makes Christmas, but I found it was very of its time. Not to say did not enjoy myself, it was perfectly good fun, but it was not my favorite Christmas film.

Kill Your Darlings- Review

Director-John Krokidas
2013

Young Alan Ginsberg meets some toxic personalities at university, the most intoxicating being Lucien Carr. As the first year progresses, sexuality get questioned, books ripped up and a new way of writing takes seed culminating in a murder.
I have to say that when I first watched this in the cinema I found it all encompassing. The story kept me gripped and propelled me into another place. In this respect it was everything I asked for in a film.
However in retrospect it was hardly anything new. It used many cliches of ways to show people on drugs by using a jump cut of them running around, and reminded me of nothing so much as The Perks of being a Wallflower. It was similarly a coming of age drama.
However this is not to say I didn't enjoy it still. It got me thinking about these self absorbed people and told me more about these people who, if I am honest, I had the sketchiest ideas of who they were. It was a wonderfully indulgent study of some self destructive people. I would say  it was guilty of romanticizing the characters, but that didn't detract from the fun.
I would say that there was a danger of choosing names over substance when casting. However I found Daniel Radcliffe was very good and believable as Alan Ginsberg (although I admit I cringed when he mentioned the word 'expelled' in the heads office). Dane Dehaan was suitably ill and self destructive.
All in all it was a fun film, though if I was looking for a less biased, more in depth exploration of the Beat poets, I would search elsewhere.